Young Galaxy (Can)+ Smalltown Supersound DJ’S

Young Galaxy fra Canada  fikk litt omtale  da de gjorde en cover av Madonnas “Open YourHeart”

Siden det så har de har turnert i Canada, USA og Europa med band som Arcade Fire, The Album Leaf, The Frames, og Death Cab For Cutie, etc.

Joakim Haugland og Malin Kulseth spiller skiver før og etter konserten

Nytt album ute på  Smalltown Supersound: Shapeshifting.

Young Galaxy formed in Vancouver as a duo including Stephen Ramsay and Catherine McCandless. Through that summer of 2005 and the spring of 2006 they recorded with appearances and contributions of friends at Jace Lasek’s Breakglass Studio. Their sound has been described as similar to the bands Slowdive, Galaxie 500 and Luna as well as Pink Floydand Spiritualized. The band has toured in Canada, The United States and Europe, opening for Arcade Fire, The Album Leaf, The Frames,Peter, Bjorn and John, Stars and Death Cab For Cutie. They later moved to Montreal, where they recorded their self-titled debut. The album was released April 24, 2007 on Arts & Crafts.

They recorded their second album Invisible Republic in Montreal at Hotel2Tango studio with Radwan Moumneh engineering (A Silver Mt. Zion, Pas Chic Chic) and at Breakglass Studios with Jace Lasek of The Besnard Lakes engineering. Invisible Republic was released independently on August 25, 2009 and distributed through Fontana North. It was mixed by Tony Doogan (Mogwai, Belle & Sebastian, Snow Patrol) in Glasgow, Scotland. It was subsequently released in July 2010 in the U.S.A. by Paper Bag Records, and received a long list nomination for the 2010 Polaris Music Prize. The band followed up in fall 2010 with YG No Art EP, an EP comprising unreleased tracks and remixes from the Invisible Republic sessions.

For their third LP, Young Galaxy gave themselves away. “Shapeshifting”’s 11 new songs, lithe and mesmerizing, were completed at home and then sent away, across the ocean, to one of the world’s most acclaimed and secretive producers. For nine months, Dan Lissvik, half of the Swedish duo Studio, curved and refashioned these tracks; he made and remade them. In October, Lissvik sat down at his computer in Gothenburg. Young Galaxy sat down at their computer in Montreal. And across 3,500 miles, Skype-ing with a friend they have never met, Young Galaxy heard their third album for the first time. The finished album is glittering, seductive and utterly unlike anything Young Galaxy have done before. After the Polaris-nominated “Invisible Republic”, Young Galaxy were dreaming of transformation, transmutation, change. They imagined the parallel universe version of their own band, a Young Galaxy that was never ‘epic’, rarely ‘rock’ instead sexy, spacious, haunted by ghosts in silver, black and primary colours. Whereas they once wrote songs of pounding drums and cresting guitar, this time the four-piece sketched their love of New Order, the Knife and the Eurythmics.